As a literary genre, the sentimental novel reached the height of its vogue in the 1770s and 1780s and was still popular as the eighteenth century drew to a close. This volume presents a comprehensive exploration of the sentimental novel in the eighteenth century, beginning with its origins in the so-called amatory fiction of the late seventeenth and early eighteenth centuries. Chapters from leading scholars combine the various aspects and contexts of the genre, from politics, slavery, women writers, and the Gothic to the sentimental novel in America, France and Germany, with historically informed close readings of novels by writers including Samuel Richardson (1689-1761), Laurence Sterne (1713-68) and Jane Austen (1775-1817). This volume demonstrates that the sentimental novel continues to engage readers and critics and that, far from being obsolete or only of antiquary interest, it remains a vibrant and exciting area of study.

Pamela in Her Exalted Condition follows the heroine of Richardson's hugely popular first novel into married life. In the process, he explores both the experience of women beyond the stage of courtship and provides a fascinating insight into the social and cultural life of the mid eighteenth century. The first ever scholarly edition of the novel, this volume features a critically edited text, general and textual introductions, full annotations and textual apparatus. Appendices describe all the editions published in Richardson's lifetime as well as early nineteenth-century editions. The original illustrations from the popular octavo edition of 1742 and Richardson's index are reproduced. The publication of this novel in the Cambridge edition allows the sequel to Pamela to take its rightful place in the critical study of Richardson's development as a novelist.

Moll Flanders is one of the best-selling novels of all time. This Norton Critical Edition is again based on the first edition text (1722), the only text known to be Defoe’s own. It is accompanied by detailed explanatory annotations and the editor’s essay outlining the novel’s textual history.

“Contexts” collects related documents on criminal transport, contemporary accounts of lives of crime, and colonial laws as they applied to servants, slaves, and runaways.

“Criticism” includes eleven interpretations by Juliet McMaster, Everett Zimmerman, Maximillian E. Novak, Henry Knight Miller, Ian A. Bell, Carol Kay, Paula B. Backscheider, John Rietz, Ann Louise Kibbie, John Richetti, and Ellen Pollak.

A Chronology and Selected Bibliography are also included.

Innovative in its structure and approach, Daniel Defoe in Context contains 42 essays by leading scholars illuminating the life, times, and world of Daniel Defoe. Defoe is one of the most important literary figures in English history, thanks not only to his pioneering novels Robinson Crusoe and Moll Flanders, but also to his notable works in journalism, travel writing, conduct literature, and verse, both satiric and serious. Written with general readers and students in mind, the essays in this volume provide up-to-date knowledge about eighteenth-century literature, culture, and history in a high quality, clearly written, but completely accessible form. Together they demonstrate the ways not only in which Defoe's world shaped his writing, but also in which Defoe's writings profoundly affected his world, and therefore our world.

Pamela: Or, Virtue Rewarded is perhaps the most influential novel published in Britain in the eighteenth century. On its first publication in 1740, it became an immediate bestseller. Its epistolary structure, tight plotting and didactic message were praised, imitated, but also criticised and satirised. This new critical edition of Samuel Richardson's first novel features an authoritative text based on the first edition, general and textual introductions, extensive explanatory notes and textual apparatus. Appendices provide bibliographical descriptions of all lifetime editions as well as the editions of 1801 and 1810, Richardson's introduction to the second edition (fully annotated), and the illustrations and Richardson's index from the octavo edition. The publication of this volume heralds the first full scholarly edition of Richardson's complete works, a long-awaited event in eighteenth-century studies.

As a literary genre, the sentimental novel reached the height of its vogue in the 1770s and 1780s and was still popular as the eighteenth century drew to a close. This volume presents a comprehensive exploration of the sentimental novel in the eighteenth century, beginning with its origins in the so-called amatory fiction of the late seventeenth and early eighteenth centuries. Chapters from leading scholars combine the various aspects and contexts of the genre, from politics, slavery, women writers, and the Gothic to the sentimental novel in America, France and Germany, with historically informed close readings of novels by writers including Samuel Richardson (1689-1761), Laurence Sterne (1713-68) and Jane Austen (1775-1817). This volume demonstrates that the sentimental novel continues to engage readers and critics and that, far from being obsolete or only of antiquary interest, it remains a vibrant and exciting area of study.

It is accompanied by detailed explanatory annotations. "Contexts" collects materials that influenced Swift's writing of the novel, as well as documents that suggest its initial reception, including Swift's correspondence, Alexander Pope's poems on Gulliver's Travels, and relevant passages from Gargantua and Pantagruel. "Criticism" includes fourteen assessments of Gulliver's Travels by the Earl of Orrery, Sir Walter Scott, Pat Rogers, Michael McKen, J.A. Downie, J. Paul Hunter, Laura Brown, Douglas Lane Patey, Dennis Todd, Richard H. Rodino. Irvin Ehrenpreis, Janine Barchas, Claude Rawson, and Howard D. Weinbrot. A Chronology and a Selected Bibliography are included.